MM school singing skills (awesome!!)
used in our normal life is a natural breathing, this is subconscious, and shallow gas smoke less, do not have control of breath, a breath as long as three seconds so, not for singing. Singing is more deep breathing abdominal breathing, both air to breathe around the waist, and then use expiratory muscles and inspiratory muscle confrontation, to find the fulcrum force. a breath often as long as a few seconds, the level of singing the strength, the change indene Yang frustrated, thanks to the movement of respiratory muscles strong and flexible to complete. sing to remain in this state, the sound is controlled entirely by the atmosphere, which is what people say, ; sound by airborne suction was just deep. inspiratory nose and mouth at the same time to use the natural, do and steady light, soft, non-coercive force, not stiff, air to be sucked too deep, can not be sucked in at the upper chest and heart. suction After sneezing gas, as it did before to have a hold in the short to experience the expansion around the waist, expansive feeling. find the one that is the key to singing.
⒉ breath
method is the use of cross-breath expansion of the force of diaphragm been feeling waist hold. Imagine yourself in his hand a bottle of sesame oil to another kind of careful when filling a small bottle, choked the breath of feeling, breath to be uniform, slow. you can prepare a the size of the tissue sheets 10 square pieces, placed on the wall, from which 4 --- 6CM, inspiratory to keep it, then blowing by mouth to make it off the ground, more than half a minute to pass it. You can also substitute a burning candle, the flame front hair forces to maintain the atmosphere and the intensity of sound is very important.
traditional training methods;
⒈ number of figures; took a deep breath, hold the power of the use of waist, starting from 1 number, count to 60 compliance. count to even have a rhythm, not to steal gas.
⒉ blowing; took a deep breath, then blow off the table as forward as blowing dust, the rhythm is a slow and fast, appreciate diaphragm strength.
⒊ do more sit-ups, and enhance the power of waist.
1. vibrato
vibrato is the use of breath and Adam's apple with them to produce fluctuations in the sound sense, a sense of relief. This is the ballad one of the most commonly used techniques. There are many types of vibrato. If Emil vibrato rate is moderate, medium-intensity; Chin love with a small flutter; Teresa Teng, Jacky Cheung Zeyi known for great flutter; and the characteristics of Japanese songs is the practice that. The key is to tie a good flavor and the throat, do not just use the throat, issued a similar small sheep called vibrato.
⒉ sound
in the event of gas, if the air first with the sound out, sound less gas and more, we will send gas sound. It makes a more gentle voice, more captivating. Teresa singing.
⒊ tearful tearful
Popular Singing is the most popular techniques in one, which is then suddenly increased by the throat and the resulting explosive atmosphere, issued a similar painful sound. Jacky Cheung , Emil is a tearful voice representative. tearful good use can increase the appeal of the song, but not too freely available.
⒋ pick tone sound is an excellent pick
singer must master is often most likely to be ignored out tips. It is the suffix to the decline in the sudden sound of a pick up and issued. Emil then singing voice are also very particular about the pick, it is in place. Some singers sound like a big challenge, such as Sally, she sings a similar issue in the throat choking voice, Hong Kong and Taiwan singer to sing the most representative voice choking Wang Jie. Wang Jie give a reason for feeling sad vicissitudes of his songs because ; tearful voice, treble. If your voice is loud Department, we will be able to practice the treble.
concert treble voice appeared tired, tight, and In fact when the school vocal music teachers often require students to be a good image in the sound area, and then the feeling of the acoustic area to sing high notes, though you feel very natural to sing in the Health District may in fact be in the sound area is problematic, or Treble solved. so-called natural does not mean that the singer never as a state with a certain disposition. For example, within the partial character of people, likely to cause tight and cried treble.
treble way to practice singing the first to find peace of mind is the sound area, then the state to sing aloud the same area. Another way is to look not at the concert when the treble Take a deep breath and force specifically, particular attention must be naturally part of the throat, your problems is to force the treble, so that those of the throat, resulting in the higher tone, the greater stiffness, throat tightening. The other is the emotional concert performance in more attention In fact, many singers today have never studied the vocal sound approach, but they are very common characteristic is very into singing, when the true feelings accumulated to a certain extent, to a certain extent the problem of coordinating Singing . In fact the expression of certain vocal music is emotion, so the situation can greatly ease with audible sound methodological problems.
practice
treble treble areas often appear in the climax of the work has inspired audiences emotional and inspiring force. promote the good image of the treble, will add luster to the whole concert. So, with a loud, metal-like high notes of the singer is very valuable in finding a natural sound area, lay out the the basis of the sound area, and master the techniques for acoustic area after the treble can practice. sing the treble, the two cheekbones to be more active and open, the whole song to be more positive state of excitement. With the pitch up, lower jaw need to loosely down the sides pull back; small lift, such as yawning wildly tongue suck gas, so that a more open throat, larynx can not move up with the pitch, but on the contrary, gradual decline, keep breathing state, of course, the state must have the breath of support. sing the treble is a difficult training, on the basis of the constant practice, has also summed up a lot of effective methods, but each method must be from person to person and should, take suitable and effective ways and means.
The first is the fulcrum of reference: as in the vocal cords when singing was not long in the throat, and long in the chest, singing every word not to leave the fulcrum, Relax your mouth to sing, so that one would like to focus over there, suddenly the sound to be balanced. This method can solve several problems: If you sing the treble to mention easy on the throat, you do not want to think of the throat chest, the fulcrum of a lower throat naturally relax, decentralization, lay down after throat, throat natural open. There are long in the chest at the vocal cords, and the breath of course, can not exceed the vocal cords, it must be below the chest, breath, also sank, and stability the. it is basically an approach to find the right voice.
reverse the second reference is easy high, then an inch or two inches lower in the throat around the place for, or the first sound, easy to find the focus position of the treble.
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